Eyes Of The Forest (2025)
Eyes of the Forest is a mythological short film based on historical realism that explores trauma, transformation, and the fragile boundary between reality and the unseen. Rooted in folklore and grounded by psychological realism, the film builds an immersive visual world where nature becomes both witness and force.
The film is currently in festival distribution
Official teaser (2026)
Plot summary
In a 19th-century Estonian village, Elo lives in the shadow of her husband Johan-a heavy-handed man whose drinking and violence have become part of everyday life. One early spring evening, Johan leaves their home and never returns. The village fills with whispers, yet no one knows what happened to him. Confused and restless, Elo sets out to find him. The deeper her search takes her, the stranger the world around her becomes. The villagers begin to avoid her. The forest, long considered dangerous and mysterious, starts to draw her in with quiet insistence. Then she encounters Leeno-the village elder's daughter who died years ago. But Leeno is not merely a lost child; she is a mavka, a spirit from ancient myth, whose presence suggests that Elo's world no longer obeys human laws. Small, unexplainable signs begin to appear: fresh mint leaves materialize on her table though the ground is still frozen; a foreign gaze looks back at her from the mirror. When Elo enters the church and raises her hands in prayer, she is reminded that no one saved her when she needed it most. The village looked away. The church remained silent. The answers lie in the forest-where those whom people fear reside. Following Leeno, Elo ventures deeper into the unknown. The past returns in fragmented memories she can no longer fully trust. Her body no longer feels entirely her own. As she draws closer to the truth about Johan's disappearance, it becomes clear that she is not truly searching for her husband-she is searching for herself. Standing at the boundary between two worlds, Elo must choose: to cling to a life that no longer sustains her, or to fully step into the place where she now belongs.
Overview
The short film was shot in Estonia in 2025, the idea was ornamental in 2021 and inspired by Estonian and slavic (specifically northern Ukrainian, Belorussian, Polish) folklore and mythology. The film was produced in various heritage sites and protected natural landscapes to show historical authenticity and beauty of Estonia. Among the locations are the Estonian Open Air Museum, preserving traditional rural architecture from across the country; Nina Church, one of Estonia's oldest churches that has survived largely without major architectural reconstruction; and the Siniallikad (Blue Springs) Nature Reserve, a protected natural site renowned for its crystal-clear springs and long-standing place in Estonian folklore and mythology.
The film is also a linguistic milestone. It is the first known narrative film produced entirely in the Võnnu dialect, an extinct historical variety of southern-Estonian from 18th century that is no longer spoken natively. The screenplay and dialogue were developed in close collaboration with linguists and language specialists from Võru institute to ensure historical authenticity and preserve a unique part of Estonia's cultural heritage, as the cast also worked with linguists throughout the entire process.
Eyes of the Forest at Tallinn Black Nights (PÖFF) Shorts and received international festival recognition, including awards at several film festivals and the HÕFF Award for Best Estonian Genre Film, and in May 2026 was included in Shorts Wrap program and showcased at the Short Film Corner at Rendez-vous industry screening at Festival de Cannes 2026.
Global festival recognition






Official partners



Cast
Crew
Elo - Maarja Tammemägi
Johan - Stefan Hein
Leeno - Haldja Semjonov
Salesman - Roland Pelin
Village Elder - Gerhard Saks
Elder's wife - Karin Rask
Written and directed by Anna Veisman
Producer - Eva Pajusaar
Production Manager – Sandra Sarv
Director Of Photography - Varvara Sen
1st Assistant Directors – Mariia Sidorenko, Robin Marten Leppik
3rd Assistant Directors – Georg Krimm, Polina Popova
1st AC – Oliver Kaljuste
2nd AC / DIT – Reelika Rahu
3rd AC – Richard-Mattias Prints
Steadicam Operator – Kert Kõpper
Sound director - Vincent Roy
Gaffer & Colorist – Kai Jürimäe
Best Boy – Andreas Oliver Jarvis
Sparks – Britta Lunden, Kyrylo Kuzmych, Oskar Peep, Tīna Zēmane, Yelyzaveta Vysochyn
Art Director - Maria Baidak
Costume Designer – Maria Baidak
Art Department Assistants – Ekaterina Mašina, Jane Sidorenko
Art / Costume Assistants – Aglaja Baidak, Gergana Dyankova
Costume Constructor – Aljona Anne Karpova
Set Costumer – Krislyn Cassandra Laamann
Set Constructors – Krister Ulrich, Maria Baidak
Script Supervisor – Desiree Talv
Extras Casting – Micaela Saraceno
Production Assistants – Micaela Saraceno, Fatya Abliamitova, Johanna Jürisson, Reece Mladjov, Katariina-Helena Kubbe, Ole Leif
Language Supervisor & Dialogue Translator – Urmas Kalla
Historical Advisors – Karin Lippus, Liis Reier, Elvi Nassar, Janek Vaab
Horse Team Coordinator – Lembe Hunt
Horse Groom & Stunt Performer – Lars Uus
Horse Groom – Kati Meigo
Makeup & Hair – Chatriin Väster
MUA Assistant – Lissel Anett Leppik
Editor - Karl-Olaf Olmann
Sound designer - Vincent Roy
VFX Supervisor & Artist – Philip Filimonov
Post-Production Coordinator – Varvara Sen
BTS Photographers – Diana Remenjuk, Sandra Sarv, Nika Kutsia, Eve Naaber
Social Media Coordinator – Maria Ignatenko
Crew Portraits Photographer – Eva Pūka
Legal Advisor – Oskar Pürg
Drivers – Valeri Fessenko, Eike Hunt
Original Motion Picture soundtrack by Senthuuran
Music: 6hunesseq "Ma olen maa peal võõras", "Nuta inimene"
Gallery
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